![]() I once was looking for a new DAW and nothing had everything Sonar does and/or worked the way I was used to. maybe your PC isn't fast? I ran a PC with a single core 3.0Ghz P4 and it was quick as lightening, now that I have quad core it's ridiculous. I dunno how anyone can say Sonar isn't fast. ![]() Whoever says Sonar is unstable might not have the greatest system to start I'm guessing. I'm able to track session after session without issue and mix for hours on end easily. UAD and Sonar don't always play nice, but I've learned to tinker with things to get stuff running stable. I run my studio with Sonar 7, and have also bought 5 and 6. My band went to a studio with some great gear and PT and it crashed twice in two days. #Using cakewalk by bandlab proI know a few guys who use PT in pro studios and hate it. I like Sonar, myself, but we all work different ly. They all have their adherents and their strong points. On the PC I would also consider Cubase, Reaper, Tracktion, Samplitude, SAW, and perhaps a couple others. These days you don't pay much money to get the Pro Tools logo somewhere on your shingle (you can get in for a few hundred bucks), but you might end up paying in hassles and limitations.īTW, while Sonar is well-liked by its large user base, it's far from the only full-featured DAW out there. Worse, with an LE project, you may have a mix of compensated plugs and tracks which were compensated using compensation delay plugs (a nasty workaround for otherwise uncompensated plug delays in essence, you delay every other track from the non-PDC track trying to get them to line back up. Why? Because plugs that exist on one system may not exist on the other, forcing an export of raw audio tracks (or tracks with burned-in FX) and then workarounds and reconstruction. That said, many of the putative advantages of staying 'inside' the Pro Tools community go up in smoke, anyway, when you're moving a project from one LE system to another or, in some ways worse, to a PT HD system. ![]() #Using cakewalk by bandlab softwareTrying to convince a hesitant potential customer that what to them is a "no-name" software DAW is a superior choice is going to be mostly uphill. Many of them may not even be aware that there are alternatives and that the alternatives may, for some things, be superior. ![]() Whatever the relative merits, when customers come into your studio, the overwhelming majority of them are going to expect Pro Tools. Where PT LE (the more affordable host-based version of PT the HD systems tend to start about $10K) has some advantage is in the familiar nameplate - and that's not nothing. And, with regular, no-psychodrama yearly updates, the feature set stays relatively on top of changes in expectations regular slipstream fixes usually sew up loose ends within a few months of the. The smooth workflow and numerous conveniences is often touted by its fans. #Using cakewalk by bandlab fullIt has no limitation on tracks and has full plug-in delay compensation as well as hardware loop delay comp, has native support for both VST and DX plugs as well as virtual instruments in both those VI formats. ![]() I'm not currently a pro but I did a lot of freelance engineering and production in the 80s and had a small project studio for a while in the 90s (where I learned some hard, economic lessons, you bet). ![]()
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